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The World in Fragments: Shards of Humanity

At Galerie de l’Europe, The World in Fragments: Shards of Humanity brings together three practices that reduce matter to its point of tension. François Mayu works from the residue of...
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CYFEST 17 — Natura Naturans: Human Beings, Nature, Landscape

The exhibition Natura Naturans: Human Beings, Nature, Landscape brings together international artists working across media art, kinetic sculpture, sound, and installation.
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Kate Parr’s lens: the art of capturing human connection

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Alice Guy Prize 2026 — Cinema at Its Source

Created in 2018, the Alice Guy Prize does more than reward a film, it restores a lineage. By placing Hafsia Herzi alongside Alice Guy, it reconnects contemporary cinema with its...
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Vertige, Studio Harcourt

Vertige at Studio Harcourt, Paris, 2026, Philippe Guédon, Elka Leonard, Cécile Plaisance, and Stéphanie Renoma in an exhibition exploring the moment where desire becomes decision through photography and painting.
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Van, Passage, Memory: Walking Through MoMu’s The Antwerp Six

MoMu’s The Antwerp Six does not stage a nostalgic return. It dismantles a myth. What emerges is not a collective, but six distinct trajectories — bound not by style, but...
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Maria Mesterou – Mircea Milcovitch: Grammar of the Sign

The 2026 exhibition at the Musée des Beaux-Arts de Nancy presents works by Maria Mesterou and Mircea Milcovitch from the donation of François Paul-Cavallier. Rooted in the context of kinetic...
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a la une Jewellery Life

Inside Chanel’s Oscars Circle

On Hollywood’s most watched night, Chanel’s codes moved through the room, pearls, feathers, camellias and diamonds, worn by the actors who now shape the Academy’s new guard.
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One Battle After Another Is the Big Winner at the 2026 Oscars — A Logical Yet Questionable Choice

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The Painting of Impossible Desire in Luca Guadagnino cinema : A study of Call Me By Your Name, Challengers and Queer.

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THE EDGE MAGAZINE

EXCELLENCE DISCOVERY GREAT EMOTIONS

Issue No IX – soon to be released

“Beautiful blue sky and golden sunshine… all along the way.”

The phrase, which later became a true viral refrain online for many years, was the greeting David Lynch would recite each morning to welcome the day as it opened from his studio in Los Angeles. Alongside the weather forecast, something of an obsession for the inhabitants of LA, the city of angels and dreams, it was with this peculiar mantra that the American director, who passed away last year at the age of seventy-nine, set aside his reputation as a withdrawn and private man, revealing instead one of Hollywood’s most free-spirited, unconventional and controversial artists.

Lynch worked with time, he did so in his films, but above all upon himself. It was an obsession that ultimately led him towards transcendental meditation, a way of inhabiting the very life he evoked in his work, often brushing against the supernatural.

A tribute to this master of cinema and to his body of work, but also to one of the themes most deeply felt by artists throughout the ages: the passing of days, the ticking of the clock, the approach of inevitable deadlines, and at the same time the desire to grant oneself the reflection necessary to reach the hoped-for result. All of this lies at the heart of this new issue of our magazine.

Turn its pages slowly. Breathe in the scent of the paper, let your hand rest upon it. Treat it as one would a good friend. Keep it beside you, within easy reach, with the calm required to read and leaf through it properly, as one would listen to a fine musical score, great music, represented by the finest pianos in the world, and great fashion, with some of the most celebrated designers of our time. There is the highest watchmaking and jewellery, alongside our reflections and our visions, which we hope may become yours as well. Within these pages lie a portion of our time and a portion of our hearts, both placed in the service of creativity, in the hope that each new issue becomes a project ever more special, more collective, and perhaps a little more loved each time.

For it takes the time it takes to reach what is most dear and most precious, never forgetting what lies behind us, while looking forward towards the future. In the end, everything is a matter of time, keeping firmly in mind the maxim that reminds us never to flee from the past. For it is the teacher of the future, and above all because the past is not behind us, but within us.

Cinzia MALVINI

In this issue of The Edge my stories trace how visionaries bend time, technology, and identity to build their own futures. Readers meet Rosa Aranzazu Lykiardopoulos, the “queen of inflatables,” whose Tales from the Underground turns crowded commutes into glossy, AI-assisted inner monologues, where humour, neurosis, and digital self-distortion share the same carriage. Marcus Tomlinson revisits the restless experiments that carried him from 1990s London fashion imagery to time-bending installations and poetic films for Hussein Chalayan, Issey Miyake, and George Harrison’s gardens. Heron Preston’s narrative unfolds as a rise–fall–rebirth: from cult street-photography blog to global brand, through corporate entrapment, to buying back his own name and rebuilding on his own terms. Finally, Quentin Pontonnier’s Tant d’Avenir shows a skater-turned-goldsmith forging brutal, futuristic jewellery from old coins in a growing Paris atelier, treating entrepreneurship as a daily act of courage.

Diane PERNET

cover of the EDGE magazine , issue number 9, featuring Schiaparelli haute couture

 

 

 

Schiaparelli haute couture

Featuring Angelica Verri, Karin Models Paris

 

photo by Marco Tassini ; creative director Alexandra Mas ; beauty by Anne Arnold ; hair artist Jérome Guézou

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Partant – curated cultural experiences
Life

Partant – curated cultural experiences

Hotel la Louisiane :Where Paris Never Left The Room
Life

Hotel la Louisiane :Where Paris Never Left The Room

G.WEN × Yann Hilly Paris, Where Nightlife Becomes Couture
Fashion Life

G.WEN × Yann Hilly Paris, Where Nightlife Becomes Couture

Alice Guy: The First, and the Continuum That Follows
Cinema

Alice Guy: The First, and the Continuum That Follows

Marlene Schanz — Dream as Territory
Arts

Marlene Schanz — Dream as Territory

Bastien Deschamps – The Emerald Forest
Arts

Bastien Deschamps – The Emerald Forest

Antechamber to the Spotlight – CHANEL at  BAFTA
Cinema Life

Antechamber to the Spotlight – CHANEL at BAFTA

The Children in the Trees, Carina Barone
Arts

The Children in the Trees, Carina Barone

Aqua Art Miami: A joyful troop of artists
Arts

Aqua Art Miami: A joyful troop of artists

A New Cultural Landmark: Inside CHANEL’s Espace Gabrielle Chanel in Shanghai
Arts Life

A New Cultural Landmark: Inside CHANEL’s Espace Gabrielle Chanel in Shanghai

A Portrait of Valentina Voos
Life

A Portrait of Valentina Voos

Midsummer Night – Haute Joaillerie
EDITO Jewellery

Midsummer Night – Haute Joaillerie

K2 18b O’clock – luxury watches
EDITO Horology

K2 18b O’clock – luxury watches

the LifeLine – Chanel Haute Joaillerie
EXCELLENCE Jewellery

the LifeLine – Chanel Haute Joaillerie

CHANEL time…and time again
EDITO Horology

CHANEL time…and time again

Proto Matter – haute couture summer 2025
EDITO Haute Couture

Proto Matter – haute couture summer 2025

Chanel Première Galon — The Intimacy of Time
Horology Life

Chanel Première Galon — The Intimacy of Time

Anna Sherbinina – The Whirlwind of Real Estate
Life

Anna Sherbinina – The Whirlwind of Real Estate

The Villa Medici Film Festival 2025 and Chanel
Cinema

The Villa Medici Film Festival 2025 and Chanel

Even the Moon Will Bleed: A Baudelairean Poem on Screen
Cinema

Even the Moon Will Bleed: A Baudelairean Poem on Screen

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