Noir Séduisant — Armani Privé, Fall/Winter 2025- 2026

Fashion, Haute Couture

By Alexandra I. Mas

I was once asked to distil Giorgio Armani’s universe into two words. Without hesitation, I replied: the essence of elegance. In his designs, lavish embroidery finds its place within sophisticated, pared-back lines, clothing the body with consummate couture artistry. Armani is a master of colour, of the subtle interplay between texture and form. He possesses a quiet wit and a poetic sensibility which, over time, have earned him the rare distinction of being instantly recognisable from afar, his silhouette a signature of refinement.

The Noir Séduisant haute couture collection marks the twentieth season of Armani Privé. For the first time in his career, Mr Armani, now in his nineties, directed proceedings remotely via video, overseeing each and every detail, and entrusting his vision to his long-time collaborator and right hand, Luca Colombo, who ensured its flawless execution on site.

Noir Séduisant — Armani Privé, Fall/Winter 2025- 2026, backstage photo by Marco Tassini for the Edge magazine<br />

Far from monochrome, the collection starts in his favorite shades of blue, revealing the black slowly, as a diva that needs announcement to enter the stage. The idea of black  is followed by transparencies and metallic wavings, finally deploying that deep black in all its subtlety and possibility. For Armani, black has always embodied the ideal graphic essence, rendering each figure timeless. Here it becomes nocturnal, seductive, profoundly expressive. The show opens with fluid gowns enlivened by vivid embroidered accents. Once again, Armani explores the dialogue between masculine and feminine, reimagining tuxedos and tailcoats, sculptural jackets worn against bare skin, and sharp-shouldered blazers paired with crisp shirts, bow ties, and slender trousers.

And here, that understated humour reveals itself: a bag, exquisitely embroidered with one of Giorgio Armani’s unmistakable black-and-white portraits, a wry wink rendered in beads.

Noir Séduisant — Armani Privé, Fall/Winter 2025- 2026

Eveningwear, in his hands, assumes an aristocratic grace: long, sinuous gowns adorned with oversized bows, sheer plastrons, and cuffs recalling jewellery. These creations possess a quiet splendour, their surfaces imbued with a muted radiance. The collection achieves its particular luminosity through the interplay of velvet and metallic silks, offset by golden linings and pavé crystal-studded seams, catching the light with discreet allure.

Black here is no absence but rather the distillation of colours, a sophisticated canvas where opposites converge in harmony. It defines a refined grammar of style, uniting strength with sensuality. With its seamless tailoring, sumptuous fabrics and jewel-like interiors, Noir Séduisant reaffirms Armani’s mastery of an absolutely modern couture.

photos © Marco Tassini

Noir Séduisant — Armani Privé, Fall/Winter 2025- 2026, backstage photo by Marco Tassini for the Edge magazine models laughing
Elie Saab — À Fleur de Peau

Elie Saab — À Fleur de Peau

With À Fleur de Peau, Elie Saab brings a young, free spirit to timeless glamour. Fluid silk, lace and shimmering embellishments reveal an inner enchanted garden, where dressing becomes an intimate expression of feeling.

Issey Miyake — The Shape of Freedom

Issey Miyake — The Shape of Freedom

With Figure of Ma, Satoshi Kondo explores the space between body and cloth. Issey Miyake’s Spring/Summer 2027 collection unfolds through dance, live piano and layers of colour, while sculptural COCOON BODY torsos reveal a tender expression of sensuality. An encounter with the poetry of movement.

ROBOTS ONLY G.WEN & Médéric Nebinger

ROBOTS ONLY G.WEN & Médéric Nebinger

Born from two distinct trajectories within French electronic culture, Robots Only brings G.WEN and Médéric Nebinger together in a live dialogue between machine and emotion. Rooted in the legacy of French Touch yet resolutely forward-looking, the project transforms electronic music into a cinematic, performative experience where memory, rhythm and technology collide.