Lobo Velar de Irigoyen paints horizons that behave less as borders than as invitations. Between memory and dream, presence and disappearance, his enigmatic forms inhabit luminous spaces where meaning remains deliberately unresolved
Through the lens of Ksenia Usacheva, Summer 2026 unfolds in a dialogue of light, movement and effortless sophistication. Dior, Ferragamo, Dolce & Gabbana, Fendi, Tod’s, Vivienne Westwood, Max Mara, Loro Piana and Giorgio Armani come together in an editorial exploring the many expressions of contemporary elegance.
In homage to David Lynch, Stefanie Renoma enters a Paris suspended between reverie and unease. Fashion becomes cinematic language: beauty, shadow and desire collide in images charged with extreme tension, where Vivienne Westwood, Renoma Paris, Ken Okada, Inclover, Finsbury and the beauty universes of Dior and YSL inhabit a world in which nothing is quite what it seems.
In Stéphane Rolland’s universe, jewellery becomes architecture. From gemstones embedded directly into couture silhouettes to sculptural pieces created with Diosa Paris, Les Joyaux explores a language where diamonds, gold and precious stones are governed by structure, balance and precision — conceived not simply to adorn the body, but to inhabit it.
Lance Oppenheim’s Primetime returns to the early 2000s, when reality television was reshaping our relationship with truth, spectacle and journalism. With Robert Pattinson at its centre, the film revisits the rise of To Catch a Predator and asks what happens when exposing reality becomes inseparable from making compelling television.