More than a documentary, Groundswell becomes a manifesto for regeneration. Spanning five continents, the final chapter of Josh and Rebecca Tickell’s ecological trilogy places living soil at the centre of climate resilience, biodiversity restoration and humanity’s future relationship with the Earth.
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At Galerie de l’Europe, The World in Fragments: Shards of Humanity brings together three practices that reduce matter to its point of tension. François Mayu works from the residue of war, transforming shrapnel into objects that hold memory without resolving it. Misha approaches the face as an unstable terrain, where identity remains in flux. Isabelle Thibault dissolves mapped order through ceramic planispheres, returning the world to tactile experience. Across these works, fragmentation is not rupture, but condition—what remains when coherence falls away.